What we do

Shakespeare at Play was founded on the principle that Shakespeare does not have to be intimidating to read or learn. Shakespeare's works are meant to be performed, so seeing and hearing the action unfold can aid tremendously in understanding the story of a play. While Shakespeare's texts can and do serve as great literature, simply reading a 400-year-old script can be formidable for the inexperienced. Shakespeare at Play equips its users with a multitude of tools to tailor the experience of reading Shakespeare to their own particular needs.


It gives viewers a sense of how the work is meant to be seen (on stage) while also taking advantage of the benefits of modern, digital filmmaking.
— Joseph Czikk, BetaKit

The Videos

Our video productions are staged like theatrical performances, but for a camera instead of a live audience. We employ traditional theatrical conventions, such as impressionistic sets and cast-doubling, but we also take advantage of the power of photography and digital video to help tell the stories most effectively to a digitally-engaged audience.

All of our actors are classically trained, and each performance is delivered with word-for-word accuracy. Unlike most filmed versions of Shakespeare, even ones filmed on stage by prominent companies, our text has not been cut down or re-arranged to meet the needs of the particular film or production. Shakespeare at Play's aim is to bring clarity to the text, and that means that we present the every word of Shakespeare's text to our audiences. 

We put the focus on character and story, making sure that the action is clear and the progression of the plot is understandable. We use simple, modern dress, but do not relocate the plays to a contemporary setting. We use minimal sets, but employ appropriate set pieces to make sure the setting and location is clear (when it needs to be). Our aesthetic is always evolving so that we can meet the needs of every play that we commit to video. 

The Text

That doesn't mean that Shakespeare at Play has ignored the importance or the power of Shakespeare's text. The text in all of our Video Editions has been edited by Dr. Noam Lior, PhD in Drama from the University of Toronto, specializing in Shakespeare dramaturgy and digital editions. Noam is the dramaturge on all of our productions as well as the academic voice of Shakespeare at Play. His contextual materials -- the in-line annotations and audio introductions -- serve as valuable aids in helping newcomers to understand the written text of each play. 

Lior puts much of the focus of his supplemental material on presenting options for performance and interpretation. Rather than attempting to offer a definitive reading, Lior challenges viewers and readers to make interpretational choices when a play demands it. These choices can be as large as the mental stability of a character like Polonius in Hamlet or as small as the attention paid to Theseus by the lovers when they awake in Act 4 Scene 1 of A Midsummer Night's Dream. Most importantly, he stresses that the choices that we've made in our productions of Shakespeare's plays are not the definitive choices, but rather one possible choice followed by another possible choice.

The aim is to emphasize the readers' role in shaping the story, since what they are presented with is a script and not a novel. This is especially useful in the classroom, where students are challenged not just to comprehend the action, but to interpret it, shape it and communicate their ideas to their classmates. 


I flashed it around to a few members of the English department in my school. I must say, the reaction was overwhelmingly positive. They loved the idea of everything being in one place, in that currently, they have the text, then they have to find a YouTube video with a clip of the scene, and then describe the scene. The big tick in the box here is that this app streamlines that process completely.
— James Potter, iPad Insight

what is included in each video edition:

  • A full-length, word-for-word HD video production of the play

  • A full-length copy of the text, edited by Noam Lior

  • Hundreds of in-line annotations that offer clarity to the text and points-of-interest in the story 

  • An audio introduction to every scene by Dr. Noam Lior, which includes a description of the action as well as things to look out for